You're looking at this listing because you know about good tone. Rest assured, this Studio delivers. One-stop shop for pretty much any tone you could ever need or think of. It's pretty impressive - sound, feel, looks. Man oh man, this one's a beauty, seriously. Needs to be seen to be believed. Weighs
The PRS Studio model is a modern take on a traditional single-single-hum guitar. With PRS’s proprietary Narrowfield pickups in the middle and bass positions and a 58/15 LT humbucking bridge pickup, the PRS Studio offers punchy singlecoils, vintage scooped tones, and the chunky kick of a bridge humbucker screaming in one instrument. This whole new scope of sounds (that are only possible with a three-pickup guitar) are easily accessible in the Studio model thanks to the push/pull tone control and 5-way blade switch. With seven combinations in all, the PRS Studio covers classic tones but maintains a unique voice making it a perfect “desert island” guitar.
Meticulous design delivering sonic fidelity, player ergonomics, and revolutionary tuning stability.
Modern locking technology with vintage elegance, these tuners promote tone transfer for a louder, more resonant instrument.
“Low turn” pickups with vintage warm, clear tone.
| BODY | |
| Top Wood | Carved Figured Maple |
| Back Wood | Mahogany |
| NECK | |
| Number of Frets | 22 |
| Scale Length | 25" |
| Neck Wood | Mahogany |
| Neck Shape | Pattern |
| Fretboard Wood | Rosewood |
| Fretboard Inlay | Birds |
| NECK/BODY ASSEMBLY | |
| Neck/Body Assembly Type | Set |
| HARDWARE | |
| Bridge | PRS Patented Tremolo, Gen III |
| Tuners | PRS Phase III Locking |
| Hardware Type | Nickel |
| Truss Rod Cover | "Studio" |
| ELECTRONICS | |
| Treble Pickup | 58/15 LT |
| Middle Pickup | PRS Narrowfield® |
| Bass Pickup | PRS Narrowfield® |
| Controls | Volume and Push/Pull Tone Control with 5-Way Blade Pickup Switch |
| ADDITIONAL INFO | |
| Strings | PRS Signature 10-46 |
Amazing guitar! Everything just seems to resonant together and the versatility of the pickups are unbeatable.
